The archives of eleven programmes made for RTBF between 1977 and 2003 reveal a crucial period in the use of asbestos in Belgium and Europe. All the risks were known to the industrialists, but the workers gradually discovered them through illness and death. The 20 years preceding the ban on asbestos in Belgium in 1998 were cynically won by the industry through its propaganda, denial, and lies, as well as the passivity of public authorities and the complacency of scientific and trade union circles that it managed to rally to its cause. In 1995, the removal of asbestos from the Berlaymont, the building housing the European Commission, opened the eyes of the general public to the dangers posed by asbestos. The long battle of the victims for compensation could finally begin. In 2017, the Brussels Court of Appeal confirmed that Eternit, the former champion of asbestos cement, had known about the dangers of asbestos since at least the 1960s and had done everything to hide them. But the story does not end there. Asbestos is still used in many countries. In Europe and Belgium, although banned, it is still present everywhere in the environment, homes, and schools. Cancers sometimes emerge decades after exposure, and the peak of diseases has not yet been reached. A real ticking time bomb, asbestos continues to claim hundreds of victims annually in Belgium, thousands in Europe, and over 100,000 worldwide.

Follow the journey of Adélaïde Charlier, an 18-year-old climate activist, as she takes on her own government and becomes a charismatic figure in the global 'youth for climate' movement, all while questioning her own legitimacy and inspiring a new generation of environmental activists.

This film takes us on a journey to Kinshasa in the company of Damso, a Belgian rap star...

For the past decade, South Korea has been increasingly present in the field of Western classical music. This progress is particularly noticeable in international music competitions. For example, in the Queen Elisabeth Competition, over the past three years, Koreans represented a quarter of the participants in the first round. In 2010, there were five Koreans among the twelve finalists, and in 2011, for the first time in the history of this competition, a Korean, Hong Haeran, finished in first place. But over the past four years, Koreans have also won the Maria Callas Grand Prix, the Long Thibaud Crespin Competition, the Tchaikovsky Competition, and many other prestigious competitions. Why are young Koreans attracted to classical music, and where do they learn it? Why have they become so accomplished in such a short time? The film explores, in four stages, the rise of Korean musicians: training in Seoul from early musical awakening to the perfect mastery of the instrument, learning expressiveness through contact with great Western masters at the Hochschule für Musik in Munich, the spirit of competition revealed behind the scenes of the Queen Elisabeth Competition, and finally, recognition in the international music profession on the stage of the Royal Theatre de la Monnaie.

Brûly, one of the poorest villages in Belgium, will soon be split in two by a highway. The authorities promise the villagers a more prosperous future, but they see it mainly as the sacrifice of their only wealth: their living environment.

In 2025, the United Nations turns 80. Instead of celebrations, the organization finds itslef at the center of one of the most intense diplomatic crises in its history following its recognition of the possibility of genocide in Gaza. Disunited Nation takes viewers to the heart of this crisis and into the corridors of the UN itself including Francesca Albanese, UN Special Rapporteur for the Palestinian Territories.

On a lost speedway at the border between Flanders and France, Alizée is a racer, just like her lover, her father, her mother, and soon her little brother. On Sundays, she unplugs her brain and presses the accelerator in a wild frenzy of speed and destruction to become a hero for a day, a race, a crash. But the circuit that has brought the community together for 40 years must close due to administrative issues. How will Alizée and the community live without their reason to exist?

This documentary tells the remarkable story of Salvatore Adamo, an Italian immigrant who arrived in Belgium at the age of three and went on to become a legendary singer-songwriter, with contributions from his wife and other artists who interpret his music.