In 2025, the United Nations turns 80. Instead of celebrations, the organization finds itslef at the center of one of the most intense diplomatic crises in its history following its recognition of the possibility of genocide in Gaza. Disunited Nation takes viewers to the heart of this crisis and into the corridors of the UN itself including Francesca Albanese, UN Special Rapporteur for the Palestinian Territories.

This film takes us on a journey to Kinshasa in the company of Damso, a Belgian rap star...

In the wake of the electoral successes of nationalist and xenophobic political parties across Europe, violent far-right movements are gaining international traction. This documentary takes viewers on three journeys through Germany, Belgium, and France, uncovering a complex and threatening network that poses a significant risk to our liberal democracies. Through in-depth exploration, the film reveals the inner workings and international connections of Europe's far-right, highlighting the pressing danger they represent to societal stability and democratic values.

The archives of eleven programmes made for RTBF between 1977 and 2003 reveal a crucial period in the use of asbestos in Belgium and Europe. All the risks were known to the industrialists, but the workers gradually discovered them through illness and death. The 20 years preceding the ban on asbestos in Belgium in 1998 were cynically won by the industry through its propaganda, denial, and lies, as well as the passivity of public authorities and the complacency of scientific and trade union circles that it managed to rally to its cause. In 1995, the removal of asbestos from the Berlaymont, the building housing the European Commission, opened the eyes of the general public to the dangers posed by asbestos. The long battle of the victims for compensation could finally begin. In 2017, the Brussels Court of Appeal confirmed that Eternit, the former champion of asbestos cement, had known about the dangers of asbestos since at least the 1960s and had done everything to hide them. But the story does not end there. Asbestos is still used in many countries. In Europe and Belgium, although banned, it is still present everywhere in the environment, homes, and schools. Cancers sometimes emerge decades after exposure, and the peak of diseases has not yet been reached. A real ticking time bomb, asbestos continues to claim hundreds of victims annually in Belgium, thousands in Europe, and over 100,000 worldwide.

He was called "The Cannibal" because he seemed to devour his opponents. Belgian cycling legend Eddy Merckx won everything there was to win on a bike between 1967 and 1975: five Tours de France, five Giros, three World Championships, one Vuelta, a legendary world hour record in Mexico, and a multitude of classics. In less than a decade, he became the ultimate icon of cycling. Directors Christophe Hermans and Boris Tilquin offer a fresh perspective on the Merckx phenomenon. In this documentary, composed entirely of archival footage, the highs and lows of his career unfold naturally. But Merckx is more than just a list of victories and crashes. Rare, unseen images also paint a portrait of a remarkable era when cycling was undergoing a transformation. The film reveals the inspiring man behind the legend and tells a universal story about willpower, and how it can be harnessed to overcome the greatest challenges.

The Thomas Organ Manufacture, located in Ster Francorchamps, currently employs 17 people and handles all stages of organ construction or restoration: keyboards, casings, sculptures, soundboards, bellows, mechanics, wooden and tin pipes, and harmonization. Over the course of 45 years, more than 130 new instruments have been crafted in these workshops. The company has also undertaken approximately 40 restorations of organs from the 18th and 19th centuries. The organ of the Monaco Cathedral, whose restoration was entrusted to Dominique Thomas, was originally built in the 1970s by Jean-Loup Boisseau. It is a 5-manual instrument of excellent sound quality. During the restoration work, 60% of the existing pipes were preserved, but everything else is new.

Maxime Le Forestier: an icon of French music. 50 years of career and melodies that have been with us forever. "San Francisco," "My Brother," and "Pass My Way" are just a few titles that have transcended all eras. From the protest singer of the 70s to the serene artist he is today, his image and legacy have gradually taken shape. On tour between Paris and Brussels, and at home in his house in Loir-et-Cher, surrounded by his loved ones and friends, Maxime opens up about his journey, his detours, and his most beautiful encounters. A portrait greatly enriched with French and Belgian archives, photos from the singer's personal collection, and testimonials from his sons and personalities such as Daniel Auteuil, Zazie, Francis Cabrel, Vanessa Paradis, and Thomas Dutronc. As the story unfolds, there also emerges, in the background, a certain way of life that the artist has cultivated since his stay in that famous "blue house."

"Floods, one year after - Keeping Our Head Above Water" is a documentary that follows the struggles of flood victims in Belgium as they try to rebuild their lives and keep their heads above water after deadly floods in July 2021.