The film team immerses us in the experiences of young people during this year of lockdowns and reopenings: distance learning, the end of small jobs, returning home to parents, separation from loved ones, and shattered dreams...

Young people described as "wandering", battered, and bounced from institution to institution because they don't fit into the framework, find refuge on a farm in Genappe to breathe. Surrounded by their educators, their stay is a hope to give meaning to their future. Thaïs (16 years old) has spent more than 5 years in hospitals for suicide attempts, feeling so bad about herself and not fitting in anywhere. Ryan, without a family, has experienced several institutions without finding his place. In 6 months, when he turns 18, he will be left to fend for himself. Separated from his family, Sélim, 14 years old, is struggling in his current institution. Reconnecting with his father and taking a break might help him find some peace.

Discover the fascinating journey of young Korean musicians who have embraced classical music, a genre far from their cultural roots, and achieved success on the international stage, making it a central part of education in Korea.

Follow the journey of Adélaïde Charlier, an 18-year-old climate activist, as she takes on her own government and becomes a charismatic figure in the global 'youth for climate' movement, all while questioning her own legitimacy and inspiring a new generation of environmental activists.

This documentary, filmed in Turkey, portrays Nancy Van Der Straeten, a 79-year-old Belgian woman living with Parkinson’s disease. She draws her strength from boxing. Moving from the personal to the societal, the film questions the place of the elderly, the experience of illness, and the alternatives to an "all-medication" approach.

The archives of eleven programmes made for RTBF between 1977 and 2003 reveal a crucial period in the use of asbestos in Belgium and Europe. All the risks were known to the industrialists, but the workers gradually discovered them through illness and death. The 20 years preceding the ban on asbestos in Belgium in 1998 were cynically won by the industry through its propaganda, denial, and lies, as well as the passivity of public authorities and the complacency of scientific and trade union circles that it managed to rally to its cause. In 1995, the removal of asbestos from the Berlaymont, the building housing the European Commission, opened the eyes of the general public to the dangers posed by asbestos. The long battle of the victims for compensation could finally begin. In 2017, the Brussels Court of Appeal confirmed that Eternit, the former champion of asbestos cement, had known about the dangers of asbestos since at least the 1960s and had done everything to hide them. But the story does not end there. Asbestos is still used in many countries. In Europe and Belgium, although banned, it is still present everywhere in the environment, homes, and schools. Cancers sometimes emerge decades after exposure, and the peak of diseases has not yet been reached. A real ticking time bomb, asbestos continues to claim hundreds of victims annually in Belgium, thousands in Europe, and over 100,000 worldwide.

Charles Gabel, the grandfather of filmmaker Idriss Gabel, was the chaplain of Rudolf Hess, a high-ranking Nazi official, close friend, and right-hand man of Adolf Hitler. After being tried at Nuremberg and imprisoned for life in the Spandau Inter-Allied Prison, his grandfather was the only man from 1977 to 1986 who could visit him without the close supervision of the guards. Over the course of their meetings, an extraordinary friendship developed between the man of faith and the Nazi. At the heart of this unexpected relationship, this film invites reflection on the lessons that can be drawn from this sometimes unsettling glimpse into the intimacy of one of the monsters, one of the chimeras of our era.

On a lost speedway at the border between Flanders and France, Alizée is a racer, just like her lover, her father, her mother, and soon her little brother. On Sundays, she unplugs her brain and presses the accelerator in a wild frenzy of speed and destruction to become a hero for a day, a race, a crash. But the circuit that has brought the community together for 40 years must close due to administrative issues. How will Alizée and the community live without their reason to exist?